In the text below you will find notes pertaining to English. The notes include parts of speech and levels of style. The notes are consistent with what you might find in a college English course.
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EIGHT PARTS OF SPEECH |
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Eight basic building blocks for all English sentences. |
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Definition |
Examples |
Common Problems |
Corrections |
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Noun |
A noun names persons, places, things, or ideas. |
The car is here. |
Writers sometimes fail to capitalize proper nouns. |
The english book is lost. |
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Pronoun |
A pronoun replaces a noun to give variety to the writing style by avoiding unnecessary repetition. |
The car is here. It doesn't work. |
Some pronouns are used ambiguously. The reader can't figure out the writer's intent. |
The manager took his calculator and cell phone from his briefcase. He used it. (What did he use?) |
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Verb |
A verb usually expresses action or a state of being. It is composed of a main verb, which is sometimes preceded by one or more helping verbs. |
The car is here. It doesn't work. Is expresses a state of being. Work expresses action. Does (like have, do and be) is a helping verb. |
Many different errors are possible. For example, writers sometimes have a faulty shift in person and number. |
When one buys a new car, you compare prices. When purchasing a new car, buyers compare prices. (Eliminate the faulty shift from first person to the more informal second person.) |
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Adverb |
An adverb modifies verbs (or verbals), an adjective or other adverbs. It usually answers questions: When? How? Why? Under what conditions? To what degree? |
The car is here. It doesn't work very well. |
Writers sometimes use too many adverbs. Choose vigorous verbs and strong nouns instead. |
The very, very big person ran very, very fast. The huge man streaked by. |
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Adjective |
An adjective modifies or describes a noun or pronoun. It usually answers qusetions: Which one? What kind of? How many? |
The red car is here. (The is an article. Articles -- a, an and the -- are sometimes classified as articles.) |
Writers sometimes use adjectives when an adverb is required. |
Don't invite her. She walks too slow. Don't invite her. She walks too slowly. Don’t' invite her. She is a slow walker. |
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Preposition |
A preposition introduces nouns, pronouns, phrases, or clauses to modify other words. (It usually functions as an adjective or adverb.) |
The red car in the driveway is here. It doesn't work very well. (It functions like an adverb because it answers the question: Where?) |
Writers sometimes string together too many prepositional phrases in one sentence. |
I saw from the window the car in the driveway in front of the house on the left side of the street through the curtains. |
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Conjunction |
A conjunction joins words, phrases, or clauses, and they indicate the relation between the elements joined. |
The red car in the driveway is here, but it doesn't work very well. (But shows a contrast between the two parts of the sentence.) |
Writers sometimes omit the conjunction between two independent clauses. This creates a comma splice. |
I drank the juice, it was good. |
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Interjection |
An interjection expresses surprise or strong emotion. |
Oh! The red car in the driveway is here, but it doesn't work very well. |
Writers sometimes use too many interjections in formal writing. |
Oh! You wouldn't believe what a great writer he was. |
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Comparison of Different Levels of Style |
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Feature |
Technical Style |
Business Style |
Academic Style |
Conversational Style |
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Formality |
Sounds like an engineer, a scientist, a pharmacist, etc. conveying quantifiable data in an objective manner. |
Conversational; sounds like a real person talking. |
More formal than conversation would be, but (often) retains a human voice, depending on the preference of the instructor. |
Highly informal; sounds like friends talking. |
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Evidence and Logical Reasoning |
Typically includes rational support for ideas and claims; often follows a format based on the scientific method and includes statistical data as support (statistical compilation of survey results). |
Frequently relies on emotional appeals (ex. pictures to convince employees to donate to a charity rather than statistical research to show anticipated results of donation). |
Emotional and rational evidence frequently required, depending on the discipline and the assignment (ex. a humanities essay may be more emotional while a chemistry lab report could be based on actual experiments). |
Logical evidence frequently missing; claims often based on emotional, personal evidence (ex. My sister got a ticket, so police are setting up speed traps unfairly in my city.) |
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Use of Contractions |
Acceptable to use occasional contractions except when writing formal reports. |
Acceptable to use occasional contractions. |
Few contractions, if any. |
Contractions preferred. |
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Pronouns |
Typically uses objective third-person pronouns (impersonal voice). |
Uses I, first- and second-person pronouns. |
First- and second-person pronouns kept to a minimum or often excluded. |
Uses I, first- and second-person pronouns. |
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Tone: Personal Versus Impersonal |
Impersonal; typically relies on objective data, such as test results and scholarly studies, rather than subjective impressions. |
Personal; may refer to reader by name; refers to specific circumstances of readers |
Impersonal; may generally refer to readers but does not name them or refer to their circumstances. |
Personal; refers to specific circumstances of conversation. |
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Word Choice |
Technical jargon acceptable when communicating with peers; abstract words and scholarly terms acceptable, depending on the expertise of the reader. |
Short, simple words; business jargon acceptable, depending on expertise of audience but slang is not preferred. |
Many abstract words and scholarly, technical terms. |
Short, simple words; slang. |
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Sentence and Paragraph Length |
Sentence and paragraph length depends on content; use of bullet points, charts, graphs, etc. often included to break up the type in technical reports. |
Short sentences and paragraphs. |
Sentences and paragraphs usually long. |
Incomplete sentences; no paragraphs. |
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Grammar |
Uses Standard English. |
Uses Standard English. |
Uses formal Standard English. |
Can be ungrammatical. |
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Visual Impact |
Detailed attention to visual impact with planned use of charts, graphs, other graphics. |
Attention to visual impact with focused consideration of reader's impressions, particularly for marketing-oriented documents. |
Typically no particular attention to visual impact other than requirements about spacing, size of font, etc. |
Typically no particular attention to visual impact except for symbols in e-mails, special stationery, borders, etc. |
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Tone and Overall Impression |
Scientific and objective |
Typically marketing- or management-oriented |
Scholarly |
Highly personal and friendly |

